I should have expected this. It’s happened before.
I came home from Taos Toolbox and my first instinct was, and continues to be, to not talk about it. This happened with Viable Paradise; took months to discuss it with any real depth. Until I could, it was all surface details.
Conversation-safe details, like, “I was on time for my appointment with the Doctor. I love that she has after-work patient hours. If you’re searching for a new nurse practitioner, she’s great.” Unless the person you’re speaking with is someone already deeply trusted, you aren’t likely going to talk about the particulars of your breast exam, your pap smear, or your bloodwork.
Not that Taos was bodily invasive, but if we’re talking about the state of my writing craft the metaphor doesn’t break down.
If Viable Paradise gave me blocks of artist-grade clay, Taos gave me the stainless steel sculpting tools to transform that clay. I’m still getting used to the heft of them in my hand.
What I can tell you is that I woke every day before a dawn crawling slow and golden over the mountains. I watched prairie dogs chase, yip and dig in a garden plot their coterie took over years ago and transformed into a red-holed burrow. Deer with half-grown antlers fuzzy with sunlight moved noiselessly across the field, the parking lot, as untouchable and alien as anything I’ve ever seen. Storms rolled in, shattered parched ground with bullet raindrops. Mornings turned perfectly cold. A heat that was never hard, hills to climb no matter which route you walked. Pencils scribbled, keys clacked, and day after day of the finer points of the craft were laid out, explained and examined. And the people, who were of course amazing. Smart, witty, and trying hard to get it all down.
Like I said, surface details.
Pictured above: my little writing owl, made for me by my Sudbury writing group before I went to Viable Paradise. I couldn’t not bring the little fella along for Taos.
Forgive the long absence, but I’ve been busy. Productively so!
After my last post (…long ago in a galaxy far, far away…), the critique group I joined last fall launched into a short story intensive. They weren’t kidding about the intensive part. Twelve weeks (which ended up being a few more as holidays and end-of-year events stretched out the timeline) and six stories, each written to a general theme. I threw myself into the challenge as hard as I could, setting fire to work-life balance and pulling some incredibly long hours on weekends to hit those deadlines. (Deadlines are a special sort of magic.) As frazzled and drained as I was by the end of it, the work itself was deeply satisfying.
Of the stories I wrote, there are two I am very pleased with, three that have promise but need additional work, the last a “seasonal” story written with a IMO hackneyed romance written to an arbitrary, self-imposed structure. It’s not even genre, so the less said about that one the better. (In my defense, everyone had trouble with seasonal and, yes, someone wrote a horror story set in Santa’s Workshop — but it wasn’t me!)
Meanwhile, I’ve doubled last year’s submissions. Looking to triple it next. (Last year’s submission rate was so small that this should be very achievable.) Had my first agent call too, (no offer, but a great conversation and she wants to see the next book I complete) and I’m waiting to hear back from two other agents who have the full.
That’s the kind of busy I can be pleased with.
Meanwhile, I had been toying with the idea of checking out, maybe even applying for, the Writer’s Studio at SFU. It’s a 10-month program, one with critique and mentorship (something I’ve always been hungry for, but been at a loss to find). I signed up for the information session in June. Applying for the program wasn’t likely, but I felt that maybe I could figure out a way to do it if the program looked like a good fit and I was accepted.
Then something awesome happened at work, and suddenly that what-if could become an actuality. Yet I was still stuck wondering if the Writer’s Studio be genre enough for what I write. I talked the idea out loud with a few friends online and then it hit me — there has only ever been one workshop I was interested in after Viable Paradise but had never the opportunity, in terms of both time-off and funds available, to seriously consider.
So I took one of those two stories mentioned above, packaged it up and sent off to Taos Toolbox, a two-week workshop that focuses on novels, at the very last minute. Talking wing and a prayer stuff, here. I was sure I had missed the cut-off. Being able to apply at all was a celestial convergence — it was this year or never-year, back to the land of daydreams if I didn’t go for it right now.
Terrifically pleased to announce that I’ve been accepted to Taos Toolbox 2017!
This June, I will bake in the heat, fill my head with novel structure, and hopefully get the chance to enjoy some of the wilderness, climate and culture of New Mexico.
Can’t promise more regular updates here on the blog — as ever, the best way to immediately reach me remains my Twitter account, or Gmail addy if you have it — but I may start using this place to bang on about whatever media property has captured my interest or my heart. Think of that multi-postrabbithole I went down for GIRL WITH THE DRAGON TATTOO. Might be books, might be movies, might be video games. We’ll see. (And maybe that sort of thing is better suited to my Tumblr. If so, I’ll cross-post.)
I’ve always been reluctant to just blog here for the sake of blogging, especially if I didn’t have writerly news. The truth is, the news at this stage of my career comes in slow drabs, and its the work itself that fills my days (or erodes my confidence). I haven’t figured out a way to blog about the writing life without either coming off like I’m bragging (lookit mah wordcountz!) or wallowing (despaaaair . . .).
And would anyone want to read either? Nah. 😉
TL;DR — first quarter of 2017 was pretty good, the second quarter is shaping up nicely, and I have to find a bigger suitcase.
There are worse problems to have, but at least this is a problem that, in theory, I can painlessly do something about.
I participate in the yearly GoodReads challenge to read X number of books in a year. I generally hit my quota, normally somewhere in the range of 50 books, and while I no longer rate books (usually) I do use the site as a running tally of the stuff I’ve read and the stuff I want to read.
Yet despite hitting the 50-books-read benchmark for another for the year already, I’m not exactly putting a dent in the To Be Read pile. The other day I glanced over at my shelf, did a rough count, and realized there were 50 books sitting there, never mind the currently uncounted number of e-books I have picked up for both Kindle and Kobo. And hello local library, the best library of my life, your aren’t helping by helping either.
So: I’m declaring 2017 is the year I crush my To Be Read pile. At least the physical one, hopefully part of the e-pile, too.
Why do this challenge?
Because I am not a Dragon sitting on a treasure horde. I mean, I am, sure, but I want to be able to pick up a book that just came out or one I’ve just heard about and read it immediately without guilt. No more surveying my Shelf of Wonders wondering when I might actually get to crack that spine. For some of these books, it’s been years since I bought them, some I moved cross country and a few of ’em I am not even excited about anymore. Despite paring down before the move, I’m more or less back where I started – at the bottom of Book Mountain right before the inevitable avalanche.
It ain’t pretty. I need a steel shelf to hold them all.
Now, the rules:
I’m not sticking with books I’m not enjoying. Forget sunk costs. If I don’t like it by page 50 or so, boom, done. It will go in a box and I will pass it on to someone else.
I cannot borrow a book from the library (our beautiful, six-story library with all the things) unless I’ve read 10 books. But will try not to.
I cannot buy a book (except for pre-orders I have already made) unless I’ve read 15. But will try not to.
If I need a book for research, I will borrow, study and return it. Pinky swear.
That’s it. Keep reading, keep updating GoodReads, and keep my nose out of a book store unless I’m in there not buying books.
Which is okay, as I have a lot of great books ahead of me. ♥
Been a long few months since my last blog (confession?) but I can assure you that I’m not dead. Not dead, but not in a happy place. Tina Belcher’s face above says it all. (Although technically my website redirect was offline for at least several weeks so, now that that’s fixed, the website isn’t dead either. Anymore.)
This summer wasn’t an easy one, and my sense of dread got worse as it went. I pushed through writing, kept showing up to the page, and hit a nice production milestone for the year early, some 125,000 words. The bulk of that was on the new novel but it was getting away from me in much the same way that earlier attempts at this novel got away from me. I was still hopeful about the novel on submissions, mind you, but otherwise wasn’t submitting. Felt a little like wheel-spinning. I had been feeling the lack of a regular, hard-core critique group keenly for the last two years, and then a lead from the spring landed me the opportunity to join one this fall. With the Surrey International Writers Conference right on its heels, I figured I’d be back on track – refreshed, refocused and ready.
It didn’t. SWIC kicked my ass despite great feedback on my Blue Pencil sessions and a Full Request for the novel. Should have been flying high, but wasn’t. I was frustrated, flailing. The new critique group was terrific, exactly what I needed, but everything else wasn’t. It felt like everything was yelling at me and I couldn’t hear my own voice anymore.
So, I stayed away from social media, because it was starting to hurt. Stopped listening to podcasts whenever I was walking and just walked. Starting work on a personal Kanban board to keep track of all the projects I had let languish. I tried to find some focus while I left the novel to sit.
And then that election. Thatelection. That election that will in our lifetimes only ever need be referred to as that election. Astounding, disappointing, devastating … and yet was it really that surprising? Was it really that much of a shock that people would so crudely vote against their interests, against the evidence, against their fellow human being, given what we all watched, what we all laughed at, and what we all believed was too ridiculous to be true?
If a man says he’s going to do horrendous, stupid, evil things, don’t laugh – believe him.
So I’ve been gutted, like everyone else. I’m not even American, and like most of my Canadian brothers and sisters, I am shocked and horrified. Hate speech and hate crimes have of course erupted, not just in the US but up in Canada, too. (There are some saying that up here it is just shits screwing around for attention, but fuck them for wanting to make people afraid for their own amusement. That’s only a slim degree of difference from the real thing.)
I have watched my American friends mobilize despite their grief and shock. I wish them courage and success in these hard years ahead. (Not interesting – don’t call the next four years interesting, don’t you dare.) To my Canadian friends all I can say is don’t get complacent.
They thought it couldn’t happen there, and it did.
We’re not that different.
We have the Charter of Rights and a progressive history, but look at what’s stirring up in some parts of the Conservative Party on our side of the border. Be prepared to say, “No, that is not Canadian. That is not how we do it here.” Be prepared to speak up, be prepared to vote. We have seen what complacency has done in the UK and the US and cannot permit the same mistake here.
In the interim, I can watch, I can witness.
I can speak up, I can support.
And I can make art*, for as long as I’m not dead.
(*Someone else can tell me whether it’s good or not.)
At least once a year I have to go backpack shopping and it’s a bit fraught. Concerns like size, cost, shape, how much it can hold, how it hangs on the shoulder, and of course esthetics all swim around in my head and make something that should be fun not very.
A bag is so personal, too. It’s something I carry with me every day. It’s gotta last, it’s gotta hold books, maybe even a computer, all without killing my spine. My spine has opinions that if I fail to plan for means my spine will wreak its terrible vengeance on me for weeks following. Oh yes, I pay attention to Mr. Spine these days, which is why I’ve been backpacking for several years now.
My old backpack was technically fine. It wasn’t falling apart, but it was designed for someone a foot taller then me and twice as strong. It’s large enough to heft a hard-core computer around but also had a bunch of front pockets that stick out like turtles on top of ever larger turtles. What ended up happening was that the bag became lopsided, with all my small things front-loaded and literally pulling me backwards with every step. Plus, the bigger the bag, the more I’ll stuff inside. Like a goldfish expanding to the size of the tank. But, with my junk.
Mr. Spine assured me that this was not tenable in the long run. Something smaller, it asked with a warning twinge between my shoulder blades, that fits close to the back. Please and thank you.
So a-shopping I did go. How hard is it to find a cute, not too big, well-made utilitarian backpack? SUPER HARD. Store after store. Option after option. Too military, too frou-frou. Too big, too small. Too friggin’ expensive, but that’s what I get for trying to shop in downtown Vancouver.
I had just about given up. With my old lumpy, too-big backpack dragging on my shoulders, I headed home. On my way, I passed one of those discount tourist luggage and bag shops that are everywhere here, windows plastered with sale signs.
Went in, wandered around. Past the Canadian tchotchkes, the flags and moose and maple syrup, it was all standard issue square backpacks. No laptop pockets, no multiple storage options, nothing that really stood out as something that checked all the boxes.
And then I saw it, up on the top hook well out of reach.
A cutie owl backpack.
I stared at it, drawn to its adorable gravity. I couldn’t. I would be taking this backpack everywhere. The office I work at, nerdy it might be, is still the most grownup office I’ve worked at. These were cute owls with big eyes and bright patterns, all in different pastel colors. It’s not professional, it’s the wrong shape, the straps aren’t that great. I can’t!
But it’s … so cute!
With a firm mental no, I stalked around the store some more. If that backpack could theoretically work, maybe there was another backpack that would. Something professional. Whatever that meant. Of course, every other backpack looked even crummier than it did the first time by comparison. I looked at brown ones, blue ones. Ones with no pattern, ones with wishbone, or faux leather detail.
Every time I looked up, I saw the owl backpack high on its hook looking so perfect.
Stop it, Stephanie, I almost said out loud. It’s not professional.
The owl backpack just hung from its hook. Perfection. Hoo. Hoo.
I bought it. I’m pretty sure I was blushing. I made jokes with the woman behind the counter about how silly it was, the bag, but how I really loved it anyways. I excused the purchase by saying I would use it just for non-work days. How that would really work is not seriously thought out because transferring all my crap between bags would be nothing but impractical shenanigans from beginning to end.
Walked home with the biggest smile. I loved that owl backpack. Didn’t hurt that I’ve always loved owls, or that in my home town the local chapter of NaNoWriMo chose the owl as its mascot, or that when I went away to Viable Paradise, one of my best buds in my writing group crocheted the cutest little owl to take with me.
Before I even got home, I decided it would be my regular, everyday backpack, because I loved those damn cute owls. And I was prepared for snarky remarks, laughter, or even faint frowns of disapproval. I was ready, man! Hit me!
What did I get?
Nothing but complements. And often, complements from delighted strangers, compliments that I don’t think even they themselves would ordinarily make, sounding so surprised in shared, secret delight. For a nerdish minute, we’re both smiling, and I say thank you.
So. What do you talk yourself out of that would bring you joy?
Go do it.
(I write this on the cusp of having to replace the Owl Backpack, as I’ve had to repair the straps and as the bottom starts to wear away to nothing. It breaks my heart! Next bag is going to be a Bag of Holding, which will still be nerdy, if a little more subtle. I did, however, see a scarf the other day in a shop that has the exact same artwork as the backpack … so … we’ll see.)
News (at long last!) of Scrivener for iOS in beta was greeted with enthusiastic joy for Mac-based devotees. And it is great — hands down, Scrivener is one of the few writing tools that really does it all. Does so much, even, that maybe you get the feeling that you’re not using the program to its full advantage. Nevertheless, in the nearly ten years since since its release, Scrivener become the tool that you either swore by or never understood all the hoopla. Some writers like the linearity of Word but for many Scrivener’s ability to break down a large document into smaller chunks, store related files and the cork board features are among the many reasons why people love this little program. (My first Macbook was bought basically for Scrivener and I’ve been using it ever since.)
When the iPad came along, Scrivener users were stoked about the possibilities. A mobile writing solution that could sync with a service like DropBox? Write wherever, whenever, with all your files handy? Developing that kind of an app is no small task, but it looks like we’re closer than ever. Scrivener for iOS looks like it might drop this year.
But it might be too late for me.
I know! I can’t believe it either! Scrivener for iPad was going to change everything and then, as the years went on and app ended up getting delayed a few times, I figured that when it finally arrived I could rationalize an iPad upgrade. That said, while the latest iteration, the iPad Pro is a beautiful monster of a machine, it’s out of my price range. (Though Scrivener for iOS is supposed to run on any mobile Apple device running iOS 9 or above, which my creaky iPad 3 can more or less handle.)
Great news, but … still too late for me. I haven’t abandoned Scrivener, but there is a new love in my life, the AlphaSmart Neo 2.
One of the issues I’ve had since my first iPad has been that writing on it was always a better idea in my head then it was in practice. My experiences writing on an iPad experiences were always frustrating ones. Handwriting was awkward, imprecise, slow. Keyboards were too cramped and had key symbols hidden behind unfamiliar hotkeys. It was a barrier to entry when I sat down to write, and worse, these barriers made it even easier to, in a moment of frustration, pop over to check Twitter, Facebook or Email and start running out the clock on socializing or outright time wasters. While the Pro appears to ameliorate some of the technical issues, we’re back to that sticky price point problem. And the temptation to multitask or just outright distract myself? Unimpeded. Possibly even improved upon by having a better processor built into the iPad Pro.
On the AlphaSmart? No program switching, no distractions because all you can do is type. It’s lighter than my iPad 3 by a wide margin, has a near-endless battery life and a full keyboard, one with deeply satisfying, chunky keys.
I can edit if I want to, and sure, I catch the odd typo, but there are no little red squiggly lines nagging at you. You don’t end up staring fixedly at the last page of text your wrote, wondering, grumbling, because it’s already scrolled up and away. Editing happens later because it can’t happen now.
It means that all you can do, six lines at a time, is write.
When it’s time to get my words into Scrivener, the USB printer cable plugs into my iMac and the words spit out like magic, like someone else wrote them. When I see them now on the screen they are different enough to feel fresh and be malleable in ways that a draft of anything written directly on a computer does now.
And my output? Holy hell, it’s leveled up and leveled up hard. I routinely get 500 words within fifteen minutes. Are they perfect words? No, but they are decent draft quality. Something I can work with.
My only complaint, and it’s very minor, is the display screen. I wish it was angled a little bit more. Sometimes there can be a weird back-glare effect, and in dimmer light the screen can wash out a bit, but that’s easily fixed by moving around or getting the light in the right position.
This is by far the most pleasurable device to write on than I have ever had. It is the unitasker I need, with the speed of a typewriter and without the time required to manually retype it. I’ve known about the AlphaSmart for years, but it was never really a thing in Canada and I thought, do I really need another device?
I’ve often wondered if, had I been born in the 50s or 60s or 70s, where there was just a typewriter, just paper and pen, if I would not have been more productive and focused than a child raised on the computer – which from a very early age was tool and game and telephone all at once in the best and worse ways.